|![]() |
| | |
The SyllabusEng 100 - College Writing I - Fall 2011other pages out-of-class writing assignments in-class writing assignments this page |
This is a good page to bookmark.
The links on this syllabus will take you on divergent paths. I don't expect any of you to read -- or to need -- all of it. However, if you're going to progress towards the course objectives, I do expect all of you to read -- and to need -- much of it. It's up to you to balance your learning style against these resources.
|
in class |
assignments due |
|
|
September |
||
| 7, 8L |
intro to the course and the
course web |
|
|
12, 14, 15L |
basic unit of discourse |
out-of-class
paragraph 1 due via email before class starts on Monday, Sept 12 in-class paragraph 1 on Monday, Sept 12 in-class paragraph 2 on Wednesday, Sept 14 |
|
19, 21, 22L |
paragraph workshop inferences from data |
out-of-class
paragraph 2 due via email before class starts on Monday, Sept 19 |
| 26, 28, 29L |
paragraph workshop |
out-of-class paragraph 3 due via
email before class in-class paragraph 3 on Monday, Sept 26 in-class paragraph 4 |
|
October |
||
| 3 |
An Evening with Byron Pitts, CBS
News Chief National Correspondent and author of Step Out on Nothing |
Book Signing: 4:30 – 5:30 in the
library Presentation: 6:00 – 7:15 in the gym |
|
3, 5, 6L |
MLA citations
format the rest of these class sessions will be paragraph workshops and occasional field trips |
out-of-class paragraph 4 due via
email before class in-class paragraph 5 |
| 12, 13L |
||
| 17, 19, 20L |
out-of-class paragraph 5 due via
email before class in-class paragraph 6 |
|
|
24, 26, 27L |
individual conferences research time |
out-of-class paragraph 6 (your portfolio, thus no separate web page) due via
email before class in-class paragraph 7 |
|
31 |
|
out-of-class paragraph 7 due via email before class |
|
November |
||
| 2, 3L |
in-class paragraph 8 |
|
| 7, 9, 10L |
out-of-class paragraph 8 due via
email before class in-class paragraph 9 |
|
|
14, 16 |
out-of-class paragraph 9 due via
email before class in-class paragraph 10 |
|
| 21 |
out-of-class paragraph 10 due via email before class | |
| 28, 30 | essay workshop |
essay due |
|
December |
||
| 5, 7, 8L |
preparation
for Comm 101 presentation |
|
| 9 |
Community 101 |
2-4 PM in the gym |
| 12 |
final draft of essay due |
|
overview of course
course web at toLearn.net/eng100/ - welcome < index.html >, course < course.htm >, case < case.htm >, essay < essay.htm >, syllabus (this page) < syllabus.htm >, and reports < reports.htm >
research areas - what are you going to write about?
rhetorical situation: audience
and purpose
diagnostic
Explore this
syllabus page and the rest of the course web: welcome
|
course | case |
reports
Just before class on September 7, I sent an email to your official college address from the email address I use for this course: eng100f11 at gmail.com. Reply to my email from your official college address or from another address if you prefer. For the assignments below, you can send me two emails or combine them into one. These are official course assignments and not doing them before class on Thursday, September 9, will get you a late mark on the reports page under your initials.
Possible research
areas. Send me an email at eng110f11 at
gmail.com with half a dozen possible research areas about
Buffalo.
Send me an email at eng110f11 at
gmail.com with a sample of your writing,
at least 200 words. By writing, I mean sentences and paragraphs, in
response to something I heard the other day.
Send this paragraph to me as an email -- not as a .doc file attached to an email.
Send me an email before class on Monday, Sept 19 at eng110f11 at gmail.com with a paragraph of at least 200 words.
Here are photos of four buildings:
![]() City Hall (1832) |
![]() Huntley Generating Station |
![]() Albright-Knox Art Gallery (1890-1905) |
![]() Central Terminal (1929) |
For better or worse, we seem to be focused on Buffalo's architecture.
The next step is to choose the building(s) you are going to focus on for the rest of the semester.
During class today, I will send you an email. Before
you leave class, please respond to it with a list of three (or more)
buildings that you would like to learn more about. If you tell me why
they interest you, that will help me decide. My biggest concern is that
there is enough information about that building for you to be able to
write about it for the rest of the semester.
A comprehensive list of noteworthy Buffalo buildings.
Byron Pitts is represented by the Greater Talent Network. They have a pretty good-sized staff and well as job openings for sales reps. Note there is no requirement of a college degree. There is, however, a requirement for some of the things that you can get in college:
On Monday, October 3, Byron Pitts will be on campus. You will be able to meet him and ask questions personally during his book signing, or later during the public conversation in the gym, which will be pretty full.
Byron Pitts - Stepping Out on Nothing
Pretend that you are working for Greater Talent Network, the agency that represents Byron Pitts.
The agency gets a percentage of Byron Pitts's fee from Medaille, a small but important part of
which is your salary at GTN. So it is in your interest that Byron perform
well. The agency can charge more and you can get a raise. That means
that Byron Pitts must be entertaining -- and prepared. So your boss at
GTN has asked you to draft a response to one of the hard-to-answer
questions that Byron might be asked by some well-meaning or even
smart-aleck college student. In sports, this is like playing against
the scout team, the 2nd team that is pretending to be the next opponent.
Audience: the students, faculty, and staff in the gym
on Oct 3 (or an individual student at the book signing beforehand).
Purpose: to promote the book; to get people to read it
Questions:
- How did your family, including the father figures you
met, both help and hinder you on your way to becoming a reporter?
- Why make such a big deal about being a late bloomer, a late reader?
- In Stepping Out on Nothing, you seemed to try too hard to touch other
people, to the extent that I didn't believe the story any more. It felt
fraudalent, like a lie.
- I'm a young black male, and I couldn't relate to your story.
- Stepping Out on Nothing was boring, a physical pain to read.
Write a short paragraph, at least 200 words, about how Pitts should respond if he wants to get more people to read his book.
Accuplacer eval in Library
Write a list of questions relating to our dozen
buildings. You can focus on your building but most of the questions you
come up with should be general enough to apply to all the buildings.
Try to get at least half a dozen for each of the six questions:
Who? What? Where? When? Why? How?
For example, "Who built this building?" is one question.
Each of you should send me about 36 questions, half a dozen beginning with "Who", half a dozen beginning with "What", etc.
Ask many more questions about your building. Include the ones on the table on the reports page. For those questions, you will have answers, too, so that I can fill out the table. Email your expanded list of questions and your data for the table before you leave class.
I would also like to see a folder in your MyDocuments with images and screenshots relevant to your building.
Send me an email before class on Monday, October 17 at eng100f11 at
gmail.com with a paragraph of
at least 200 words.
All of you have chosen either landmark buildings or, for a couple of you, neighborhood buildings that haven't quite reached "landmark" status. Two were built recently, First Niagara Center and the airport. The oldest is either the Dun Building or one of the mansions on Millionaire's Row.
The question is what should be done with old buildings. On one extreme, we should tear them down and start over. On the other extreme, we should always preserve and re-use old buildings before building new ones.
Recent battlegrounds: Canalside, Bass Pro and Peace Bridge plaza
I suspect that all of us could place ourselves on a continuum between these two extremes. If 0 is the tear them all down extreme and 100 is the preserve them at all costs extreme, where would you place yourself?
I also suspect that as we learn more about this, our position would change.
At this point, we're going to get more out of examining
the issue. It will help if you begin to focus on one of the following
aspects of the situation:
political / legal - who decides? what laws apply? who pays for what?
economic - what are the direct costs? indirect costs?
social / personal - the quality of life, the value of history, the importance of progress, etc.
technical - the actual tearing down of old buildings, the renovation of old buildings, and the construction of new buildings.
Buffalo Architecture and History
book: Buffalo's Best. The Preservation Coalition of Erie County, edited by Tim Tielman. 1985
recent Buffalo Rising articles
Introducing Buffalo's Young Preservationists
Bflo Rising's list of Buffalo Books
City of Buffalo's Preservation Board
Henry McCartney, Executive Director
Market Arcade, Suite M108
Buffalo, New York 14203
Phone: 716-852-3300
henry.mccartney@gmail.com
Buffalo's Young Preservationists - Facebook - their party at Pearl Street Brewery, Wed Oct 19, 8 PM, is open to the public
Campaign for Greater Buffalo History, Architecture & Culture
Carl Paladino: The Bass Pro Debacle
Mark Goldman: A Buffalo 'obstructionist' proclaims his manifesto
Tours to showcase neighborhoods' revitalization
Buffalonian.com
History of Bufalo
The Burning of Buffalo
Fire Dept
This day in Buffalo History
Historical Society
PUSH Buffalo (People United for Sustainable Housing)
=================
What I asked you to do on Monday didn't seem to work very well, so I'm going to take a different approach today, Wednesday, October 19.
Inferences are going to be an important part of your essay, so let's get a little practice.
I don't think there's anywhere, online or in print, that has a table or chart comparing your dozen or so buildings by worth. For example, if we were forced to tear down your buildings one-by-one, which should be the first to go? The next? And on through to the last, the most valuable of these buildings?
What criteria will you use for these rankings? Where will you get the information for these rankings? By information, I mean:
* observable, empirical evidence -- events, facts, images (still and moving) and statistics -- as well as expert's inferences (reasoned thinking) about that evidence.
* relevant, plausible examples -- stories about people, things, and events.
You draw that information from different places into one table, with the buildings as the columns and the criteria as the rows. You add it all up and assign a score of some sort to each building. Then you can then say, for example, "According to my criteria, the _____ building is the most valuable buidling of these twelve important Buffalo buildings. At the other end, the ______ building is the least valuable." You have made an inference, in fact, a whole bunch of them. You have, based on evidence and through a process of reasoning (thinking about the comparison table), reached a conclusion, in this case a rank order of those dozen buildings by worth.
Please note that you do the same thing, however quickly and informally, when you decide which of three movies to watch or which player to add to your team or what to wear when you're standing in front of your closet. For this quick example, you're rank-ordering buildings for the demolition crew.
Sources for criteria:
National Register of Historic Places - criteria
National Historic Landmark - criteria
Before you leave class today, send me an email with
your preliminary inferences. Based on what you can figure out in the
next hour, which are the least and most valuable buildings among our
dozen or so? Where does yours rank?
You are going to write one essay for this course. So far, we have done some general, preliminary research and thinking. Now it's time to focus on your essay.
In the next course that you take, ENG 110, you will write more of these essays, probably four of them. In the course after that, ENG 200, you will write even more essays; most teachers require four. In each of these courses, expectations will rise. For most students, the senior thesis is the longest research essay they write during college. Some of the senior theses approach 10,000 words (about thirty "typed" pages). If you run into seniors somewhere on campus, ask how long their senior thesis is going to be.
I will be doing everyone, especially you, a disservice if I let you go on to ENG 110 without us both having confidence that you can write four essays in one semester. The basis for our confidence is going to be your having written one essay in ENG 100 that would be acceptable in ENG 110.
Death to the Reading Class
By Marshall Poe
Fortnightly Review, September 2011
Mid-Semester Review
Next week, during the last week of October, we will be
half-way through this course. We are going to have individual
conferences during out class time on both Tuesday and Thursday, October
25 and 27. While I am speaking to each of you individually, the rest of
you will have time to work on your research proposal for your essay, the 7th out of class writing assignment, which is due October 31.
For our individual meeting, I would like to see a portfolio of everything that you have written for me. We have had five in-class writing assignments, including the Accuplacer thing, and five out-of-class. Except for the Accuplacer, you emailed them to me, so they should be in your email. Almost all of them are on the course web, including the Accuplacer, and you are welcome to copy and paste yours from the web. Collect all ten, label each one, and send it all as one long email (no attached .doc files, please). It will work best if you arrange the pieces in chronological order.
Here's the schedule with more on Monday in case we can get to them or in case there are absent students.
| Monday, October 24 Jermaine Edwards Haeli Halloran Jaimee Jordan Antonia Lee T'Challa Radford Imandeep Singh Sara Smith Rosie Sparacino |
Wednesday, October 26 Katie Stamp Jenna Tuttolomondo Marquise White Kyren Willis Jessica Winters |
Over the two days, we will have ten minutes to spend individually. We are going to look at the big picture: what you've done and what you still have to do.
* You want to know how you're doing in this course, and I hope to tell you in great detail.
* I want to know what you're going to do to improve
your writing in the second half of the course, and I will expect you to
have reflected on that and be ready to discuss it.
Our big-picture view will be rooted in your writing, which is what this course is all about.
Assignment: Portfolio
Before class on Monday, October 25, send me an email that I will call your portfolio. It will contain the ten pieces of writing that you have done for this course, clearly labeled and in chronological order.
You should add one new paragraph at the end that addresses the important topic we will discuss during our meeting: what you're going to do to improve your writing in the second half of the course.
For Tuesday, November 1 before class, write a short report
of several sections (two paragraphs, one list) that offer for my
approval what you propose to do for essay at the end of the
course. You will be able to work on this assignment during class next week while we have individual meetings.
Constraints on the essay
general topic: Buffalo architecture, especially your chosen building, in the past, present (1990-2011), and future.
length: at least 1,500 words
structure: intro, body, conclusion
other criteria - bottom of reports page
Highly recommended: images
Your report should have the following headings:
Essay Topics
A discussion of possible topics for the essay. You have
only 1,500 words for the essay (not for this short report), so give it a narrow focus. Propose three or four, at
least, and discuss the pros and cons of each. Does there seem to be
enough information readily available? Will it hold your interest for
the next month?
Sources
An annotated list of at least five primary data
sources. The annotation is a couple of sentences saying what you will use
this web site (or printed document) for.
Inferences
A discussion of some inferences that you can draw from the data. This will be the hard one. What two or three pieces of data can you put together to say something else about architecture in Buffalo, in the broad sense of not only the buildings themselves, but the life that was lived in and around the buildings?
Formal definition: An inference is a conclusion, but it's a conclusion reached on the basis of evidence and reasoning rather than the many, many other ways we have of reaching conclusions (making decisions and solving problems).
In class this week, we're going to have individual conferences while you work on your proposals due next Monday, October 31, as described above.
We are going to discuss your essay topics and the three kinds of paragraphs that are in an essay.
Your in-class writing assignment is to send me the information to fill out your row of the table on the reports page:
title
topic (< 15-word description)
main reader (audience)
reader's need / purpose / interest
rhetorical mode
organizing principle
It's too early for a thesis statement, but you can see that it's coming soon.
Only about half of you completed the in-class writing assignment for November 2. Your assignment for today, November 7, is to complete or refine last week's assignment.
Send me the information to fill out your row of the table on the reports page:
title
topic (< 15-word description)
main reader (audience)
reader's need / purpose / interest
rhetorical mode
organizing principle
I'm adding two more: hook and context
What are you going to use to capture the reader's attention. You know who the reader is, the questions he/she has, the decision that he/she needs to make or the problem to solve. What might catch his/her interest, might tell him/her, oh, this essay sounds interesting because it may address this decision that I have to make? Of the many things that could hook that reader, what will you use?
The context is the way you further solidify your standing with the reader. Let them know that you know where they're coming from (the context of their problem or decision).
The final thing that will get the reader to read the essay is your promise of what they'll get out of it. This is your thesis statement. You aren't ready to write a thesis statement yet, but feel free to try out some tentative thesis statements and run them past me.
In class Monday Nov 7:
* Moving toward thesis statements: review of your progress on the table on the reports page
* The best day to visit at least some of our buildings.
* What we want to put in the Community 101 brochure.
workshop on opening paragraphs
and the stucture of body paragraphs
assignment: introductory paragraphs
body paragraphs
Nov 16 - more workshop
Field trip - meet at circle in front of Main bldg 2:45 PM
modified: November 2011
by Douglas Anderson
http://toLearn.net/eng100/syllabus.htm